How’s your proprietor treating you?

In what is turning out to be an ongoing series here on Digital Citizen, Apple has pulled another stunt on their customers: Endgadget.com says that Apple is upsampling lower resolution videos. In other words, Apple starts with a video at a rather low resolution and sells copies of it. Then they blow up that low resolution video and sell their customers videos that version too. These newer videos have worse pictures than they ought to. Why do this? Because Apple customers can be charged twice for the same thing—once for the low resolution version they sold earlier and again for the version which has more pixels but is really just a blown up version of the old version.

And all with Apple’s proprietary DRM (Digital Restrictions Management) in place, of course.

Like Prof. Moglen said, Steve Jobs gets the prize for being the last manufacturer of the Gilette razor: you make a cheap razor and you sell expensive blades. Apple hardware is not cheap, but the songs are morally and physically expensive, expensive to your belief that you can carry songs with you for the rest of your life as we have been up to now. He’s turned unfree into hip.

Why can’t free software and open source advocates just get along?

They do for making programs and working on various projects, but the Open Source Initiative has quite a history telling people that it is okay to dismiss freedom talk.

I think highly of people, like Eben Moglen, who are able to work so well with OSI advocates. I think it’s important we all work together to achieve some common goals like the abolition of software patents, freeing people from the anti-user circumstances of Digital Restrictions Management (DRM), and writing more free software. When I hear Michael Tiemann, current president of the OSI and head of Red Hat, say that he respects freedom (audio) I want to believe him. But there is quite a bit of work for the OSI to do to address what has happened over many years (remember, the OSI which started the open source movement, launched over a decade after the GNU Project which began the free software movement).

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One Laptop Per Child progress report and tips for Free Software hackers

From FISL7.0: James Gettys of One Laptop Per Child (audio) talking about the project. This recording is distributed to you under the Creative Commons Attribution-NonCommercial-ShareAlike 2.0 license.

If you’ve ever wondered about this project or are interested in getting viable modern computers to children around the world, OLPC has an exciting project. OLPC needs your help too. Plenty of information about the status of the project and technical help for hackers who want to see their programs running on millions of computers in the near future.

Fedora Core is the GNU/Linux distribution to keep your eye on for this. From what I can see, FISL is turning out to be the premier event in the free software world.

Why software freedom and “open”ness are different and how that affects you.

I found Daniel Olivera’s part of this talk (audio) interesting (I only speak English, so I can only discuss the English parts of it), but I’d like to expand on the last part some more. This video is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 2.5 license.

The initial versions of the Apple Public Source License (APSL) are a specific example of the difference between the Open Source and Free Software movements. When Apple initially published the APSL, the Open Source proponents concluded it was an Open Source Initiative (OSI) approved license. The Free Software Foundation did not, they called this license a non-free license because it did not uphold certain freedoms. This difference is a direct result of the definitions of “free software” and “open source”.

I would have also pointed out that it is curious why anyone would want to say that the OSI supports software freedom when they call such effort “ideological tub-thumping” in their FAQ. The FSF shows that differences between the movements can be described respectfully without name-calling. The OSI was set up to not have to talk about software freedom; software freedom talk was getting in the way of OSI representatives talking to their preferred audience: businesses. So the OSI was founded to frame the debate for free software by throwing out the name “free software” and taking on motivations that would appeal to business: faster, cheaper, and less buggy software development. These consequences of software freedom were taken as chief reasons to adopt what they came to call “open source” software. Hearing someone (perhaps it was Michael Tiemann of Red Hat?) ask about this makes me think if there’s interest in further supplanting the free software movement by getting someone sufficiently high up in an FSF branch to say that the OSI fights for our software freedom like the FSF does, thus allowing the OSI to echo this anytime someone points out an uncomfortable history filled with episodes where software freedom was forgotten in the pursuit of developmental goals.

Finally, it seems that every week there are a few examples of where free software and open source proponents view the situation differently. The recent dust-up about “Open Source DRM” is another example.

Generally, Open Source proponents look at nothing but technical merit whereas Free Software proponents look at what effect a program has on society. There’s a quote from Stallman I’ll have to look for, it goes something like this: If a proprietary program that functions well comes along, an Open Source proponent is likely to look at it and conclude that they’re surprised such a program could be written without involving more developers, but they can’t argue with the technical success the programmers achieved. So they’re compelled to run the program and recommend it to others. The Free Software proponent says that taking away their freedom is not an option. They will not recommend this program to anyone and will only run it for the purpose of making a free replacement.

Germany confirms the validity of the GPL…again.

GPL-violations.org has the scoop and Groklaw has commentary worth reading as well: Harald Welte, and his lawyer, Till Jaeger, co-founder of the Institute for Legal Issues of Free and Open Source Software have enforced the GNU General Public License (the preeminent free software license) in Germany again, this time against D-Link Germany GmbH. The first time was in Munich in 2004.

D-Link’s lawyers argued that the GPL is invalid. This is a trap of an argument because the GPL is valid, and because if the GPL can be shown to be invalid the natural response is “By what right did you copy, modify, or distribute the covered software?”. There is no suitable response; if any copyright license were shown to be invalid, the copyrighted work would revert to the default for copyright which (put simply) is to disallow all regulated behavior.

Pamela Jones points out the trap on Groklaw:

Moglen has explained for many years that the way the GPL works is this: if you don’t accept it or violate its terms, you have no right to distribute at all, and if you do distribute anyway, it’s a copyright violation, because only the license gives you any distribution rights.

Well, that’s what the German judge said to D-Link, that if you don’t accept the terms of the GPL, where’s the permission to distribute at all? Even if you could prove the license wasn’t legal or binding, you gain nothing, because you thereby lose all rights to distribute. Some seem to think they get to misappropriate the code if they could just get that pesky GPL out of the way. Nope. It’s a package deal. And that is exactly what Moglen told you, but some just wouldn’t listen.

Prof. Eben Moglen on enforcing the GPL is well worth reading. If you license or distribute GPL-covered software, you’ll want to know that you’re using a license you too can stand behind in court, if need be.

It’s sad to see any GPL dispute go to court because it means that the litigants could not resolve their differences and reach an amicable end. But now we’ve got multiple cases in multiple countries to draw upon whenever someone tries to raise fear, uncertainty, or doubt of the GPL’s validity.

Microsoft’s Zune won’t play Microsoft DRM-encumbered tracks?

Now the EFF informs us that your investment in Microsoft DRM-laden tracks may be wasted if you hope to take them on the road with Zune:

In yesterday’s announcement of the new Zune media player and Zune Marketplace, Microsoft (and many press reports) glossed over a remarkable misfeature that should demonstrate once and for all how DRM and the DMCA harm legitimate customers.

Microsoft’s Zune will not play protected Windows Media Audio and Video purchased or “rented” from Napster 2.0, Rhapsody, Yahoo! Unlimited, Movielink, Cinemanow, or any other online media service. That’s right — the media that Microsoft promised would Play For Sure doesn’t even play on Microsoft’s own device. Buried in footnote 4 of its press release, Microsoft clearly states that “Zune software can import audio files in unprotected WMA, MP3, AAC; photos in JPEG; and videos in WMV, MPEG-4, H.264” — protected WMA and WMV (not to mention iTunes DRMed AAC) are conspicuously absent.

But if you get a Zune anyway, you won’t have to worry about sharing those sharable tracks; if Medialoper is right, Zune will wrap a DRM layer around any sharable track making it unplayable after 3 plays:

Zune’s wireless music sharing is turning out to be one of those features that seemed better when it was just a rumor. While Zune users will be able share music with friends, there’s a catch (isn’t there always). As Jim noted earlier, recipients of shared songs will only be able to listen to them three times or for three days, whichever comes first. It sort of sounds like a really bad tire warranty.

Zune accomplishes this amazingly stupid feat by wrapping shared music in a proprietary layer of DRM, regardless of what format the original content may be in. If Microsoft’s claims are to be believed, this on-the-fly DRM will be seamless and automatic – which must be some kind of first for Microsoft.

DRM really is about digital restrictions management.

As if this isn’t embarassing enough, consider the name of the device. Microsoft named their newest device similarly to a French Canadian slang term for penis or vagina. Microsoft knew this and is apparently okay with it.

A Microsoft spokeswoman in Montreal told CanWest News Service that “it was pointed out to us” during focus groups in the province that the proposed brand name sounded much like a French-Canadian term used as a euphemism for penis or vagina.

The French word “zoune” and the variant “bizoune” typically serve as a less jolting way of referring to male or female genitalia when addressing children.

Suddenly Nintendo’s “Wii” device (pronounced “wee”) is becoming more clear.

How’s your proprietor treating you?

MacOS X software is commonly distributed in an installer package file which allows the user to easily add new programs to their system by double-clicking an icon and dragging a program to the folder where applications are stored. According to various sources, there is a problem with the MacOS X installer program. Six weeks ago, Apple knew that certain MacOS X installer packages could be set up to do things that only administrative users ought to be able to do such as adding a new admin-level account on a MacOS X system, changing the MacOS X kernel (briefly, the lowest-level part of an operating system), or alter any file you want altered, all without prompting most MacOS X users for a password.

“biovizier” said that has been on Apple’s plate for a while (all spelling in context):

Re: Installer priviliges
Posted: Jul 28, 2006 6:53 PM

I heard back from Apple, and the bug report has been marked a “duplicate”. A note sent in parallel to product-security@apple.com received the response that the issue is “known” and is “being addressed”.

This means that the security issue dates back before six weeks and more than one person has reported this issue to Apple. As far as I know, Apple has not yet released a fix for this issue.

There’s even good reason to believe this has gone unaddressed because it was broken by design:

There exists a pretty significant interface problem with the Apple Installer program such that any package requesting admin access via the AdminAuthorization key, when run in an admin user account, is given full root-level access without providing the user with a password prompt during the install. This is even explained in Apple’s Installer documentation as proper behavior. The distinction between the AdminAuthorization and RootAuthorization keys is, simply, whether or not the admin user is prompted for a password; the end powers are exactly the same and it is up to the creator of the package as to if he will be kind enough to ask for a password.

Since many progressives insist on running proprietary MacOS X software, it’s worth asking: how’s your proprietor treating you?

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The naive hail DRM as a success, wise users like keeping their rights.

Apple released a new version of their proprietary music player iTunes. iTunes is both a music player program and a music download service. Apparently this new version can make your purchased iTunes music vanish and only the administrators at Apple can restore what you lost if you made no backups of your own. When you buy iTunes tracks (like with so many other online music services) you are buying patent-encumbered, lossy, DRMed audio tracks you can often get less expensively and with more rights elsewhere by purchasing physical CD media instead. Wil Wheaton tries to convince you that Apple’s iTunes is a good thing and you should be heartened to know Apple treated him so well. He wraps up with a bit of namecalling to dissuade dissenters.

Wheaton, probably best known for his role as Wesley Crusher in Star Trek: The Next Generation, had purchased a lot of music through the iTunes music service. He lost “his” music upon “upgrading” to the latest iTunes program. He contacted Apple and they restored the music he had already paid for:

I think that’s worth mentioning again, in hey-look-at-me bold text: If you make a purchase from the iTunes Music Store, and something horrible happens and you lose all your music, Apple will give you a one-time only do-over to replace all of your purchased music, free of charge.

Only once?

Wheaton says that Apple’s actions “seemed excessive to me, and way above what would be reasonably expected” instead of seeing this as the least any online media store could do for their users, and one small benefit to help overcome the tremendous loss of user’s rights. He follows this up with an apology to the proprietor and a reference to digg.com where stories like this are almost never viewed in terms of user’s rights and weighing the value of those rights (users are fooled into giving up their rights for convenience).

Wheaton tries set up (what he believes to be) the corollary with physical unencumbered media:

Can you imagine walking into a record store and telling them, “Hey, guys, I lost all my CDs over the weekend. I know it’s my fault, but . . . can I have some new ones?”

Upgrading to the latest release of the proprietor’s software should not be considered the user’s fault; after all, the user is just doing what the proprietor recommends (and in some cases, depending on the DRM involved, what the proprietor requires) in order to continue to play the media the user already has paid for. That’s one of the traps of DRM—the proprietor gets to control the terms well after the sale and in perpetuity. At least on paper, copyright expires, but DRM never expires. You had better hope that the DRM isn’t that strong and that the proprietor never goes out of business, leaving you with music you can never really free from their grasp.

Wheaton says this is not his first time dealing with Apple on an iTunes issue:

Though the company was unresponsive last time I contacted them about an iTunes Music Store purchase issue…

He doesn’t go into further details about what happened then.

So what about that corollary he claims, and why the scare quotes around “his” in “‘his’ music”?

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